An implied diagonal line created by the border of the white cloth and the fruit against the green background also creates unity. It also creates unity by repeating similar colors and shapes. Paul Cezanne's painting, Still Life with a Curtain, creates unity through proximity the oranges are arranged close to each other. The line, as discussed in module 1, can be actual or implied. Finally, unity can be created through continuation, which means that the eye follows a continuous line around the composition. For example, using similar textures, colors, or shapes can bring unity to an image. Another technique for creating unity is through similarity. The viewer's eye moves from one object to the next when the objects are close to each other as a result, the eye is led to take in the entire composition. Proximity means putting objects close to one another. There are three main techniques for creating unity in a work. A unified composition has a balance between harmony and variety. Contrast has often been called the golden rule for creating art as it is. Artists utilize various elements at their disposal to create contrast such as shadows, light, color, size, and composition. Whereas the elements of art or the other principles of design may only be seen in a part of an artwork, the complete work contributes to its unity all of the parts of a unified composition work together. Contrast in art is the technique of using unlike visual elements in juxtaposition to create meaning and intensify the characteristics of the work. Unity is sometimes regarded as the most important of all design principles because it governs the entire work. Unity is the sense of "wholeness" of a composition.
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